Since its early days, the Games sector has defined their very own requirements when it comes to using music in the medium, often working at the forefront of technological innovation.
How is the art of composing music following the creative and tech peculiarities of the medium? How do you get "into the game” - and what are the career perspectives for composers?
How does the licensing of original music adapt to the demands of the sector? However, the limits of copyright and its remuneration are an omnipresent challenge.